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turtle vine succulent care

turtle vine succulent care Buy 'Creeping Inch Plant - Callisia repens Gold' Care and Info

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turtle vine succulent care Buy 'Creeping Inch Plant - Callisia repens Gold' Care and InfoIntroducing the stunning Creeping inch plant, known as Callisia repens Gold, which is a miniature trailing plant that adds a touch of vibrant gold hues to any indoor or outdoor space. Belonging to the Bolivian Wandering Jew family, this variety of Callisia repens is also known as bolivian jew or turtle vine. Native to South and Central America, the creeping inch plant is a popular choice for hanging baskets, terrariums, or ground cover in gardens. The

Introducing the stunning Creeping inch plant, known as Callisia repens Gold, which is a miniature trailing plant that adds a touch of vibrant gold hues to any indoor or outdoor space. Belonging to the Bolivian Wandering Jew family, this variety of Callisia repens is also known as bolivian jew or turtle vine.

Native to South and Central America, the creeping inch plant is a popular choice for hanging baskets, terrariums, or ground cover in gardens.

The Callisia repens turtle vine has other varieties like the Pink Lady (Callisia repens variegated) and Pink Panther (Tradescantia Callisia repens), which are known for their beautiful pink foliage and trailing growth habit. 

This creeping inch plant Callisia repens is characterized by its bright golden-yellow foliage, which stands out beautifully against its trailing stems. 

The stunning golden oval-shaped leaves contrasted with a pink or purple underside are a true show-stopper. It contrasts well with its purple stems.

Callisia repens planthas a typical bushy growth with trailing habit. It is a miniature plant that grows between 4 to 12 inches tall. 

The flowers of the creeping inch plant bloom during summer and fall with small white flowers. These flowers add a delicate touch to the creeping plant's overall appearance. So, along with its vibrant golden leaves, you can enjoy the occasional blooms of this lovely plant. 

When and How to Water Your Creeping Inch Plant

Like other Callisia repens varieties, the creeping inch plant does not need too much water. The best way of Callisia repens  gold is to water it adequately when the soil is completely dry. It's important to strike the right balance to keep this beautiful creeping inch plant happy and healthy. 

As a general rule, it's best to keep the soil evenly moist but not overly saturated. Overwatering can lead to root rot, so it's crucial to allow the top inch of soil to dry out between waterings. Gently press your finger into the soil to measure the moisture content. It's time to water if it seems dry. 

In the spring and summer, during the drowing season, your creeping inch plant Callisia repens gold prefers consistent moisture. During warmer months, you may need to water more frequently, while in cooler months, you can reduce the frequency.

Light Requirements - Where to Place Your Creeping Inch Plant 

If you are growing Callisia repens indoors, placing it near a window in partial shade or in a well-lit room would be ideal. An essential aspect of creeping inch plant care is that it should be placed in a place where it is exposed to bright but indirect or filtered sunlight. It thrives in a spot with moderate to high light levels, but direct sunlight should be avoided as it can scorch the leaves. 

When grown outdoors, the creeping inch plant can handle partial shade to full sun, but it prefers bright, indirect light or dappled sunlight.

Find a spot that receives 4-6 hours of morning or late afternoon sun, while providing some shade during the hottest part of the day. This will help prevent the leaves from burning or drying out.

If you notice that your creeping inch Callisia repens leaves start to lose their vibrant golden color or become pale, it may be an indication that it needs more light. On the other hand, if the leaves start to turn brown or develop sunburn spots, they may be getting too much direct sunlight. 

Pro Tip

Callisia repens is suited for outdoor cultivation only in specific regions like southern Florida and Hawaii, where the warm, tropical climate matches its needs. In all other regions, it thrives best as a charming indoor houseplant.

Additionally, make sure to rotate your Callisia repens occasionally to ensure even growth and prevent it from leaning toward the light source. These creeping inch plant care tips will help to maintain its compact and trailing form. Providing this Callisia repens gold with the right amount of light will contribute to its overall health and enhance the beauty of its golden foliage. 

Optimal Soil & Fertilizer Needs 

To keep your creeping inch plant Callisia repens Gold happy, you'll want to provide it with well-draining soil and the right kind of fertilizer. It is best to use a succulent potting mix for the Callisia repens plant. Planting them in ordinary soil will result in compacted roots, stunted growth, and most likely root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized succulent potting mix that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your succulent to thrive. 

When it comes to fertilizing your creeping inch plant, you can use a balanced (5-10-5), water-soluble natural NPK fertilizer. Feed your Callisia repens once a year during the growing season in the spring. During the dormant season (fall and winter), you can reduce or even stop fertilizing, as the plant's growth slows down. Always remember to water your inch plant before applying fertilizer to avoid any potential root burn. 

Hardiness Zone & More 

The creeping inch plant is typically grown indoors as a houseplant. Native to tropical regions of North and south America, it is not frost-hardy and prefers temperatures between 65-75°F. This Callisia repens thrives in average room temperatures and can tolerate slightly cooler temperatures, but it's best to avoid extreme temperature fluctuations.

For outdoor cultivation, your Callisia repens gold, is generally hardy in USDA zones 10-11, only in specific regions like southern Florida and Hawaii, where the warm, tropical climate matches its needs.

If you live in a colder climate, it's recommended to keep your creeping inch plant indoors in a hanging pot or provide it with protection during colder months. 

In terms of humidity, the gold creeping inch plant prefers moderate to high humidity levels. You can increase humidity by placing a tray of water near your turtle vine plant or by using a humidifier. Misting the leaves with water can also help create a more humid environment. 

Remember to monitor the temperature and humidity levels to ensure the optimal conditions for your gold creeping inch plant's growth and well-being. 

Wildlife - Creeping Inch Plant Attracts the Following Friendly Pollinators

The creeping inch plant has small yet vibrant blooms that attract several friendly pollinators, making it an excellent choice for pollinator-friendly gardens. Bees, butterflies, hummingbirds, and other beneficial insects are commonly seen visiting the flowers, helping to support biodiversity and maintain the ecosystem balance. Whether planted in pots, hanging baskets, or ground covers, this plant invites these vital pollinators to your outdoor spaces.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, the creeping inch plant is mildly toxic to cats, dogs, and horses if ingested in a large amount. It contains compounds that may cause skin irritation or gastrointestinal upset, such as vomiting or diarrhea, in pets. For pet owners, keeping the plant in elevated spots or using hanging baskets can help ensure both your plant and furry friends remain safe.

How to Propagate Your Creeping Inch Plant

To propagate a creeping inch plant, start by selecting a healthy stem with at least a few nodes. Using clean scissors or pruning shears, cut a stem just below a node, as this is where roots will form. Remove the lower leaves to expose the nodes and either place the stem directly in water or plant it in moist, well-draining soil. If propagating in water, ensure the nodes are submerged, and roots should appear within a week or two. For soil propagation, keep the soil consistently moist but not soggy, and place the cutting in bright, indirect light. Once roots are established, the new plant can be potted or planted in its desired location. This easy process makes the creeping inch plant perfect for beginners or those looking to expand their indoor or outdoor plant collection.

Key Takeaways

  1. In the United States, the creeping inch plant is primarily grown indoors due to its sensitivity to colder temperatures. However, it can thrive outdoors in regions with milder climates such as Southern Florida and Hawaii.
  2. The creeping inch plant showcases a low-growing, trailing habit, making it perfect for ground covers, hanging baskets, or cascading from planters in both indoor and outdoor settings.
  3. Its hardy, fleshy leaves retain moisture, enabling the plant to thrive in drought-prone conditions with minimal watering.
  4. The ‘Gold’ variety is known for its eye-catching golden and green variegation, adding a pop of color and visual interest to rock gardens, xeriscaping projects, and modern interiors.
  5. Adaptable to a wide range of light conditions, from bright indirect light to partial shade, this plant is a low-maintenance choice for beginner gardeners and plant enthusiasts alike.

Final Thoughts

Overall, the creeping inch plant (Callisia repens gold) is a lovely and versatile houseplant that can bring a touch of greenery and beauty to any space. With its trailing stems, vibrant golden leaves, and easy care requirements, it's a popular choice among plant enthusiasts. Additionally, being mindful of minimal watering, and optimal light, and providing proper drainage can help prevent fungal diseases and promote healthy growth. Callisia Repens 'Gold' is a highly recommended plant for those without a green thumb or those seeking a unique creeping basket plant to their collection because of its stunning coloring, and fast growth. 

Don't miss out on adding the Callisia repens Gold - Creeping inch plant to your garden! Order now and enjoy its beauty for years to come.

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4.2 ★★★★★
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T
Alexandria, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
New York, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Boise, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Matt M
Charlottesville, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Los Angeles, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014

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